AL BURAK
THE IMPOSSIBLE ANIMAL.
A form assembled from fragments, suspended between evidence and imagination. The familiar becomes strange.
ENTER THE PROJECT ↗Painting, concept and print.
Traces of place, history and material.
01 / MATERIAL
THE CANVAS AS MEMORY
02 / OBJECT
THE INSTITUTION AS QUESTION
03 / TRACE
THE CITY AS IMPRESSION
An artistic practice moving between painting, installation and print—where ordinary objects become vessels of personal and collective memory.
ABOUT THE ARTIST↗
An editorial reading through the artist’s works, not a quotation attributed to him.
AL BURAK
A form assembled from fragments, suspended between evidence and imagination. The familiar becomes strange.
ENTER THE PROJECT ↗PAINTING
Paint, form and accumulation hold traces of personal and collective memory. Layers emerge and disappear.
EXPLORE PAINTINGS ↗WADI ABOU JMIL

Lithographic marks recall structures and streets, turning the city into a field of uncertain recollection.
EXPLORE THE PRINTS ↗Not a chronological record,
but a constellation of works.
AL BURAK / INSTALLATION VIEWBetween myth, archaeology and institutional belief.
An imaginary museum display asks how objects gain authority—and how history is constructed by the institutions that preserve it.
EXPLORE THE COMPLETE PROJECT↗NOT A CONCLUSION.
A CONTINUOUS
CONSTRUCTION.
A quieter material language.
Impressions of spaces, architecture and memory.

Born in Beirut in 1974, Said Baalbaki lives and works between Beirut and Berlin. His interdisciplinary practice explores displacement, cultural memory and the authority of historical narratives.
BIOGRAPHY & COMPLETE CV↗Discover the painting archive, individual installations, print series, exhibition history and press in their own dedicated spaces.